![]() ![]() I also love how you can use the same stencil as a base for a piece but completely change the look of it by changing the area you put the graffiti in. The stencils are always the basic idea of a piece, and I normally have a pretty clear thought on to how the piece will look in the end, with the exception of the graffiiti which I can change by using more spray, less spray and more pens, fill more, fill less, monochrome colors or full color scheme. It took me several years for first to learn stencils properly, then working my way through phases of paintings with a more political message through dark to light works and finally adding the colorful graffiti that now can be called my style of work!Īs a big positive its also something I love doing so I get a bit of everything when I’m doing my paintings! When you begin to work a new piece, do you have a clear vision what you are going to do or where to start? How much your works ”live”/change from the original vision? How much you improvise? To me, this meant I could make editions of my work and make all unique and quite different from each other! Thats when I started incorporating graffiti and graffiti influenced scribbles into my work. ![]() One of the things I found when doing just stencil work was how I got bored of it after a while. I still love cutting stencils, but I felt my work lacked some vibrancy and some elements to break with the rigid and graphic look of the stencil. “I get a bit of everything when I’m doing my paintings!” Your works are recognisable, they are vibrant and contrast by both colors and themes, how would you describe your style? How you quickly you found your own ”style” ? Since then I’ve followed both the graffiti scene and later the fast growing stencil and streetart scenes.Īfter my first stencil in 2004 that took over more and more of my time finally resulting in working with a combination of graffiti and stencil full time since 2012. After watching it for years and sketching throughout mid school I tried painting my first piece in the early 2000’s. I’m a 34 year old, Norwegian stencil artist living and working in Oslo, Norway! How did you started to do graffiti and stencils?ĭuring my primary school years I travelled alot with the subway from my school to my friends house and early found an interest in the ever changing graffiti along the subway line. I hope you all got your arty presents to yourself at some point this year, I bought myself a haring etching for my xmas pressie in maimiFirst the basic introduction – can you tell us who are you, what are you doing, where are you coming from? We placed one in every whatson tiger sold with a zero or 5 at the end of number Wanted to clear that up so everyone knows the details and what's on offer. Most are cut straight, a few are deckle edge around 10-15 of each main edition and couple each on whatsons a/p editions (his colours), so this black deckle one is quiet rare and I think I know who I gave that too lol.īut regardless of that £100 seems high to me, I know they are popular we get loads of emails asking for one. There are two smaller editions in black and mint, both editions of 25 To frame in places like bathroom and kitchens where you would be scared to place a signed print, Who cares if long term damage to a free unsigned print They designed to give the image to People who want it and missed out as small editions when released They are not signed and with all prints not signed don't hold any value imo apart from being official and printed by us. Whatson gives away his half in comps and sales.Īs with chinook it takes around 2- 3 years to give all away so they leak out slow vs a print release We give them away free with big sales and whatson releases We made 5 editions of 100, lemon, lilac, blue, white & beige. Martin Whatson - Son of Man - AP, by Graffiti Prints on 6:11:27 GMT 1, Happy xmas allĪs with chinook free prints and I stress FREE
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![]() Special Olympics is an international organization that changes lives through the power of sport by encouraging and empowering people with intellectual disabilities, promoting acceptance for all, and fostering communities of understanding and respect worldwide. "We enjoyed the opportunity to welcome the athletes and their families to the International Bowling Campus, and we were even more proud to be able to help recognize the visions and efforts of Eunice Kennedy Shriver." "Our USBC volunteers have a history of supporting the Special Olympics, and our relationship is only getting stronger nationally," said Eric Kearney, USBC Managing Director of Operations and Administration. In 2013, the tournament will be held at the one-of-a-kind National Bowling Stadium in Reno, Nev., where the Open Championships will run for 122 consecutive days from March 1-June 30. Each team included two Special Olympians and their unified partners, which helps carry the message of friendship and camaraderie from year to year. There were 46 divisions, so no bowler went home without an award. In 2012, nearly 350 bowlers from 15 states traveled to Baton Rouge, La., for the National Unified Tournament. ![]() While they may not actually be competing in the Open Championships, they still get to enjoy the championship atmosphere, including a trip through the scale room and a ceremonial march down Center Aisle. Hundreds of Special Olympics bowlers from more than a dozen states converge on the championship lanes, often specially-constructed in a convention-center setting.įor two days, the venue belongs to the athletes and their supporters, who compete in team and doubles. Her efforts and spirit have inspired people across the globe to commit themselves in the areas of community, sport, health and education.īy bringing together people with and without disabilities, there is a message of unification and inclusion, and the playing field often can make people forget about their differences.Įach year since 1991, the Special Olympics National Unified Bowling Tournament and the USBC Open Championships have come together to give Special Olympics athletes the chance to compete on bowling's biggest stage as a lead-in to the Open Championships, which attracts more than 60,000 bowlers annually. The event was one of hundreds being held worldwide in honor of the late Shriver, whose vision was a platform where athletes with intellectual disabilities and special needs could compete and thrive in sports and other activities. "One of the best things about events like this is getting to see the excitement of the athletes, and today was a lot of fun for everyone." ![]() "The USBC provided this great opportunity for our athletes and their families, not only to celebrate their enjoyment of bowling, but also to celebrate the life and contributions of Eunice Kennedy Shriver, the founder of the Special Olympics," said Sherron Peace, a program associate for the Special Olympics. 1-3 at nearby Cityview Lanes in Fort Worth, Texas, this visit to the ITRC also gave the athletes a chance to sharpen their skills and get tips from the same coaches who train some of the world's best bowlers. With a bowling competition scheduled for Nov. More than 30 Special Olympians, their families, friends and supporters spent the afternoon at the International Training and Research Center, where they got to meet USBC Hall of Famer Kim Terrell-Kearney and bowl on the home lanes of Team USA, the defending men's and women's world champions. ARLINGTON, Texas - The United States Bowling Congress and the Special Olympics have a relationship that spans more than two decades, and the two came together again Saturday to help celebrate Eunice Kennedy Shriver Day. |
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